RADICALLY IMPROVE YOUR WRITING
IN 28 DAYS
THE SCRIPTFELLA PROGRAM
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THE ULTIMATE SCREENWRITING COURSE
Are you tired of agents and managers rejecting your scripts? Join The Scriptfella Program and learn advanced screenwriting techniques to hook Hollywood gatekeepers and ignite your career. Don't take my word for it -- read the testimonials below from writers who took the Program and changed their careers.
Have you hit the screenwriting wall?
You write screenplay after screenplay, but you can't get an agent or manager.
You spend a fortune on screenwriting contests and the Black List - but you’re scoring 7/10 at best and never make it past the semis.
You select what you think is a killer premise for a movie or tv show; apply all that knowledge you’ve learned in screenwriting books and videos to your characters and plot - but still your script fails to win the attention of industry insiders.
You network your ass off and persuade a manager or producer to read your script - but you never hear back from them.
You're working in a vacuum, desperate to know if you're good enough to make it as a professional screenwriter, but you don't know who to trust.
If this is you, then you’ve hit The Screenwriting Wall. The point where your writing is quite good — but it’s not good enough, and worst of all — for all the toil, time and resources you’re expending, your writing isn't improving.
“The definition of insanity is doing the same thing over and over again, but expecting different results.”
You can have a killer logline, plot and character journeys — but if your script is hard to read, and dull to read, agents and producers won't even get to page 5, let alone slug it through to your act three twist. They certainly won't recommend other industry insiders spend time with you or your script.
However, if you can learn to entertain industry readers and give them "a good night in", they will introduce you and your work to agents and producers — and put you forward for representation and paid writing assignments.
The Scriptfella Program can teach you how to write for the Hollywood reader.
If you want to see The Program in action, watch the FREE CLASS.
The scriptfella Program
Learn to Write For The Hollywood Reader
Learn how to use language to bewitch industry readers and keep them reading.
Discover your voice as a writer and use it to get noticed by managers and agents.
Learn how to cure the biggest disease of amateur screenwriting: overwriting.
Do away with dull description. Excite the reader with cinematic language, sound design, and imagery.
Access intensive screenwriting tutorials that will help you improve the marketability and readability of all your scripts - past, present and future.
Develop the critical skills to distinguish what you should put in the script and what you should leave out.
The endgame? Learn to put the reader's enjoyment and entertainment first, which will win you fans and general meetings in Hollywood — and put you in contention for paid writing assignments, which are the real game for pro screenwriters.
Most pro writers take ten years to learn what WGA Screenwriter Dominic Morgan can teach you in 28 days — knowledge that you can't find in any of the screenwriting books or even at a $100k L.A. film school.
MEET YOUR INSTRUCTOR
DOMINIC MORGAN | WGA SCREENWRITER
Dominic Morgan has worked as a professional screenwriter in London and Hollywood for over two decades.
He has written 45 screenplays; 35 were optioned, commissioned or paid for by producers and studios, including projects for Scott Free (Ridley Scott), Universal, Working Title, BBC, ITV Studios & Bold Films. He is a member of the Writers Guild of America (WGA).
Dominic is passionate about film education and helping other screenwriters & filmmakers break into Hollywood.
The Learning Journey
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-WHY YOU NEED TO HIJACK THE HOLLYWOOD READER'S BRAIN
-CINEMATIC vs INSTRUCTION MANUAL WRITING
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-THE FIVE VISUAL ELEMENTS - A Belt & Braces Primer
-HOW TO WRITE FOR THE CAMERA
-HOW TO WRITE A CINEMATIC SEQUENCE FREE PREVIEW
-ASSIGNMENT 1: THE SHOT GAME
-HOW TO CREATE MOVING CAMERA SHOTS ON THE PAGE
-ASSIGNMENT 2: PAGE 1 IMAGE BOMBS
-HOW TO USE COSTUME & PROPS IN YOUR SCRIPT
-ACTING ON THE PAGE
-OPTIMIZE YOUR LOCATIONS
-9 WAYS TO LIGHT UP YOUR SCREENPLAY
-9 WAYS TO LIGHT UP YOUR SCREEN PLAY - Case Study, 1917 (Wilson-Cairns)
-9 WAYS TO LIGHT UP YOUR SCREENPLAY - Part Three
-9 WAYS TO LIGHT UP YOUR SCREEN PLAY - How to Use Colour Psychology on The Page
-THE SIXTH ELEMENT - SOUND DESIGN
-READER PSYCHOLOGY
-ASSIGNMENT 3: WRITE LIKE RENATO
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-NARRATIVE VOICE - The Lowdown
-NARRATIVE VOICE - The Princess Bride (Goldman)
-NARRATIVE VOICE - Promising Young Woman (Fennell)
-NARRATIVE VOICE - The Brigands of Rattleborge (Zahler)
-NARRATIVE VOICE - The Good Wife (King & King)
-NARRATIVE VOICE - A Cautionary Tale (Morgan)
-NARRATIVE VOICE - Is Alien REALLY a Good Read?
-NARRATIVE VOICE - Shawshank Redemption (Darabont)
-NARRATIVE VOICE - 7 Lessons
-ASSIGNMENT 4 & 5 - Narrative Voice Switchup
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-SENTENCE CONSTRUCTIONS - Why N.V.O. Rocks
-THE CLAUSE OPENING - A Major Banana Skin for Screenwriters
-THE PERILS OF THE PASSIVE
-VANILLA VERBS - Hunt Them Down
-VANILLA ADJECTIVES - Search & Destroy
-SUBOPTIMAL VERBS - Is & Are
-THE PRESENT CONTINUOUS - When Should You Use It?
-WE SEE & WE HEAR - Do You Want to Detach the Reader from the Characters?
-ASSIGNMENT 6 - IMMERSIVE SCREENWRITING - Rewrite Page One of Baby Driver
-THE CLOSE PROXIMITY DISEASE
-ONE SHOT WORD WEAPONS
-SCENE GEOGRAPHY - Don't Get Stuck In the Bocage
-THE TEN DISEASES OF DIALOGUE (AND CURES) - Part 1
-THE TEN DISEASES OF DIALOGUE (AND CURES) - Part 2
-HOW TO MASTER A CHARACTER INTRODUCTION - Six Techniques
-THE TRICKY TEAM CHARACTER INTRO
-HOW TO NAME YOUR CHARACTERS
-WHY YOU NEED TO FIGHT FOR THE INCHES ON THE PAGE
-ASSIGNMENT 7: THE COPACABANA ONER
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-ELKINGTON'S WAR - By Matthew Skeate
-THE WITCH - By Roberto Gerardo
-KILLER RATINGS - By Jack Carey
-PROMISELAND - by Doug Tucker
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-HOW TO HOOK A READER ON PAGE 1
-THE TITLE PAGE - Just The Facts
-PAGE ONE - Page Design
-THE OPENING IMAGE - Your Whole Story in One Picture
-HOW TO OPEN A MOVIE ON PAGE ONE - Narc (Carnahan)
-THE FINAL ASSIGNMENT: OPTIMIZE YOUR PAGE ONE FOR THE HOLLYWOOD READER
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-LEARN FROM THE PROS BY READING PRODUCED SCRIPTS
THE SCRIPTFELLA PROGRAM
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12 hours of intensive video training
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3-year course access
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8 assignments
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Every lesson includes actionable steps to improve your writing
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Exclusive access to the alumni group to connect with other writers and directors
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Payment plan available
Listen to the writers
Pedro Correa | Writer/Director
"No one is teaching what Dom's teaching. It's like Plato's Cave; once you've seen the light, it can't be unseen."
Sophie Curtis | Writer/Director
"Dom helps you not only find your voice, but own your voice. Thank you for honestly changing my life."
Doug Tucker | Screenwriter
"My creative partner read my new draft and went 'Holy sh!t...' "
Sara Dinga | Screenwriter
"It's not only the best screenwriting course, it's the most fun."
Braden Croft | Writer/Director
"You learn to manipulate the reader in the best way possible -- by bringing them into the story."
Savannah M. | Screenwriter
"This is the first course to give me a roadmap for HOW to be a better writer. I see the improvement week on week!"
The Scriptfella Program: The three phases
28-day course
12 HOURS OF INTENSIVE VIDEO TRAINING (ON DEMAND)
8 SELF-GUIDED WRITING ASSIGNMENTS
1: Cinematic
Stand out from the crowd. Use the five visual elements and sound design to create a cinematic script that will seduce the Hollywood reader and make you stand out from the hordes of aspiring writers struggling to break in.
2: Immersive
Hollywood readers hate reading and are easily distracted. Learn to deliver an immersive, page-turning reading experience by studying how pro screenwriters use narrative voice, language and sentence constructions.
3: Training
When it comes to screenwriting, "quite good" is not good enough. Watch Dominic Morgan provide molecular analysis on scripts written by emerging writers, which will help you identify the flaws and suboptimal writing in your own screenplays. Reinforce your learning with 8 self-guided assignments.
HOW WILL THE ProGRAM TRANSFORM YOUR WRITING?
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Three years. The video tutorials are designed to act as a long-term writing resource for you. Watch the video above and hear how writer Alex Knight uses the tutorials as his go-to toolkit when writing.
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Absolutely not. All you need is the first page, which we will focus on in molecular detail. The techniques that I teach you to action on your page one, you’ll then be able to apply to the rest of your screenplay, and all your future screenplays.
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Regardless of the genre you’re working in, you only have one weapon at your disposal as a writer - your words. Dominic will teach you how to optimize your use of language and create a visual script that plays in the head of the reader.
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The Scriptfella Program costs £475, which is equivalent to 4 Blacklist evaluations, or 3 contests with notes -- none of which are going to provide skills and toolsets that you can apply to all of your writing and help you become a better writer. It's a fraction of the cost of going to an LA film school for $100k - and they don’t teach what Dominic can teach you.
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Yes. You can split the cost of The Scriptfella Program over two monthly payments of £275, for a total of £550.
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The Scriptfella Program is designed to help every screenwriter who wants to optimize their screenplay for industry readers and learn to write in a more visual and engaging way.
