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The Scriptfella Program

The only molecular screenwriting training program.

Solid structure, character arcs, and theme aren’t enough on their own to hook a Hollywood agent, manager, or producer. You grab their attention page by page, paragraph by paragraph, word by word.

The Scriptfella Program is the only screenwriting course that trains you to use language on a molecular level. Learn to write a calling card script that will get you noticed, get you in the room, and get you hired.

Click the button below to test drive The Program for free, no credit card required.

Yes, I want the free training

Your free training includes:

🔴 The Two Projectors technique: Learn to write for the reader. (3 mins)

🔴 Show Don’t Tell: Learn to use cinematic imagery to blow away agents, managers and producers. (6 mins)

🔴 NVO: master this sentence structure and eliminate your overwriting. (6 mins)

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WHY AM I DOING THIS?

DOMINIC MORGAN | WGA SCREENWRITER

I have written 45 screenplays. 35 have been optioned, commissioned, or paid for by producers and studios -- including Ridley Scott's Scott Free, Universal, Working Title, the BBC, ITV Studios, and Bold Films. I've been represented by 8 agents and 4 managers in London and Hollywood.

I’ve read over a thousand scripts by emerging writers.

So what have I learned that I can teach you?

Many writers have brilliant ideas and scenes for movies and TV shows, but they’re let down by their execution on the page. Screenwriters who get signed & hired all have one thing in common -- they are a great read. They use language to hook industry readers and keep them reading. That's the advanced writing skill nobody teaches. And it's the reason I created The Scriptfella Program -- to help you maximise your chances of breaking through and becoming a working professional screenwriter.

So why am I offering three of the most valuable training modules of my Program for free?

Firstly, I want every screenwriter to walk away with actionable techniques that they can use to improve all of their screenplays tonight. Secondly, I’m hoping that a percentage of you will see the power of The Scriptfella Program and decide to invest in the entire 12-hour intensive Program. Watch the training modules and decide: can I help you to become a professional screenwriter?

Click for the Free Training

WHAT IS The Scriptfella Program?

12 hours of intensive video training on demand | 8 self-guided assignments | 3-year course access

  • Excite the reader with cinematic language and imagery.

  • Show, don’t tell.

  • Learn to write using the five visual elements: Camera, Costume, Acting, Lighting, and Locations.

  • Master Sound Design on the page.

  • Find your voice as a screenwriter and deploy it in your scripts.

  • Learn from the pros: watch how working writers use narrative voice to hook the reader.

  • Access immersive screenwriting tools to improve the readability and marketability of all your scripts.

  • Binge-watch Dominic’s line-by-line edits on scripts by emerging writers.

  • Learn to cure the biggest disease of amateur screenwriting: overwriting.

  • 8 writing assignments to help you practice and retain the techniques that you've learned. **If you want to join live classes with Dominic and get molecular feedback on your assignments / pages discover Scriptfella Pro.

GET THE FREE TRAINING

The endgame? Learn to put the reader's enjoyment and entertainment first, which will win you fans and general meetings in Hollywood -- and paid writing assignments. The real game for pro screenwriters.

Most pro writers take ten years to learn what I can teach you in 12 hours. You won’t find these advanced screenwriting techniques in any other book, course, or even a $100k L.A. film school. I acquired these skills over the last two decades working as a professional WGA screenwriter and film and TV story consultant.

  • 🎥 FREE TASTER CLASS - CLICK TO WATCH: Why you need to hijack the Hollywood reader’s brain

    🎥 Cinematic vs “instruction manual” writing

  • 🎥 The five visual elements - A belt & braces primer

    🎥 How to write for the camera

    🎥 FREE CLASS - CLICK TO WATCH: How to write a cinematic sequence

    Assignment 1: The Shot Game

    🎥 How to create moving camera shots on the page

    Assignment 2: page 1 image bombs

    🎥 How to use costume & props in your script

    🎥 Acting on the page

    🎥 Optimize your locations

    🎥 9 ways to light up your screenplay Pt 1

    🎥 9 ways to light Pt 2: Case Study, 1917 (Wilson-Cairns)

    🎥 9 ways to light Pt 3

    🎥 9 ways to light Pt 4: How to Use Colour Psychology on The Page

    🎥 The sixth element: Sound Design

    🎥 Reader psychology

    Assignment 3: Write like Renato

  • 🎥 NARRATIVE VOICE - The Lowdown

    🎥 NARRATIVE VOICE - The Princess Bride (Goldman)

    🎥 NARRATIVE VOICE - Promising Young Woman (Fennell)

    🎥 NARRATIVE VOICE - The Brigands of Rattleborge (Zahler)

    🎥 NARRATIVE VOICE - The Good Wife (King & King)

    🎥 NARRATIVE VOICE - A Cautionary Tale (Morgan)

    🎥 NARRATIVE VOICE - Is Alien REALLY a Good Read?

    🎥 NARRATIVE VOICE - Shawshank Redemption (Darabont)

    🎥 NARRATIVE VOICE - 7 Lessons

    ASSIGNMENT 4 & 5 - Narrative Voice Switchup

  • 🎥 FREE LESSON - CLICK TO WATCH: SENTENCE CONSTRUCTIONS - Why N.V.O. Rocks

    🎥 THE CLAUSE OPENING - A Major Banana Skin for Screenwriters

    🎥 THE PERILS OF THE PASSIVE

    🎥 VANILLA VERBS - Hunt Them Down

    🎥 VANILLA ADJECTIVES - Search & Destroy

    🎥 SUBOPTIMAL VERBS - Is & Are

    🎥 THE PRESENT CONTINUOUS - When Should You Use It?

    🎥 WE SEE & WE HEAR - Do You Want to Detach the Reader from the Characters?

    ASSIGNMENT 6 - IMMERSIVE SCREENWRITING - Rewrite Page One of Baby Driver

    🎥 THE CLOSE PROXIMITY DISEASE

    🎥 ONE SHOT WORD WEAPONS

    🎥 SCENE GEOGRAPHY - Don't Get Stuck In the Bocage

    🎥 THE TEN DISEASES OF DIALOGUE (AND CURES) - Part 1

    🎥 THE TEN DISEASES OF DIALOGUE (AND CURES) - Part 2

    🎥 HOW TO MASTER A CHARACTER INTRODUCTION - Six Techniques

    🎥 THE TRICKY TEAM CHARACTER INTRO

    🎥 HOW TO NAME YOUR CHARACTERS

    🎥 WHY YOU NEED TO FIGHT FOR THE INCHES ON THE PAGE

    ASSIGNMENT 7: THE COPACABANA ONER

  • 🎥 SOLUS - By Alex Knight

    🎥 LOWER LIFEFORMS - By William Kershisnik

    🎥 KEY WEST - by Rick Ryan

    🎥 ELKINGTON'S WAR - By Matthew Skeate

    🎥 THE WITCH - By Roberto Gerardo

    🎥 KILLER RATINGS - By Jack Carey

    🎥 PROMISELAND - by Doug Tucker

    🎥 THIN PLACES - By Braden Croft & Travis Shewchuck

    🎥 EL TITAN - By George Perez

    🎥 ACTION! - By Dave Crosman

  • 🎥 HOW TO HOOK A READER ON PAGE 1

    🎥 THE TITLE PAGE - Just The Facts

    🎥 PAGE ONE - Page Design

    🎥 THE OPENING IMAGE - Your Whole Story in One Picture

    🎥 HOW TO OPEN A MOVIE ON PAGE ONE - Narc (Carnahan)

    THE FINAL ASSIGNMENT: OPTIMIZE YOUR PAGE ONE FOR THE HOLLYWOOD READER

  • LEARN FROM THE PROS BY READING PRODUCED SCRIPTS

The endgame? Learn to put the reader's enjoyment and entertainment first, which will win you fans and general meetings in Hollywood -- and paid writing assignments. The real game for pro screenwriters.

Most pro writers take ten years to learn what I can teach you in 12 hours. You won’t find these advanced screenwriting techniques in any other book, course, or even a $100k L.A. film school. I acquired these skills over the last two decades working as a professional WGA screenwriter and film and TV story consultant.

 
 

The first video will change your writing forever

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Any questions about The Scriptfella Program? Contact Dominic directly at dom@scriptfella.com